As the author of The Declaration of Independence, Thomas Jefferson promoted freedom and equality for all individuals. While describing slavery as an abominable crime, the third president owned over 600 slaves.

“That’s what’s most important about this exhibition. Thomas Jefferson enslaved throughout his eighty-three year life. That means he had more than one plantation. Monticello, which is the most famous and the largest, was not just the home to him and his white family, but to black families as well. In fact, there were more black people in Monticello than there were white people”, said Gayle Jessup White, Jefferson’s descendant, and Monticello Community Engagement Officer.

 

The African-American Museum of Dallas will be the first to host the updated exhibition regarding the forgotten slaves at Thomas Jefferson’s Monticello plantation. As the heart of The Slavery at Jefferson’s Monticello: Paradox of Liberty exhibition, their lives will be displayed through additional items and highlights September 22-December 31, 2018.

“We focus on the enslaved people that are part of this exhibit. It’s opening in Dallas. It’s the first time the exhibition has toured since 2015. This is as far west as the exhibition has ever been”, said White.

The exhibit will include digital attributes, such as the Picture Mulberry Row recreation, Slavery at Monticello App, and many more.

“It features 300 artifacts and different articles representing not the life of Thomas Jefferson, but the lives of the people he enslaved”, said White.

White, along with The Smithsonian National Museum of African American History and Culture and The Thomas Jefferson Foundation at Monticello made sure the enslaved individuals and their contributions were no longer unheard. “It’s the enslaved people that saved that place. They did all the work and it was a 5,000 acre plantation, so figure how much work that it took. They built the building that is now a house museum, where some point of 50,000 people visit”, said White.

With proper respect, White desires the audience to remember the Monticello slaves, instead of forgetting them. “My hope is always that the audience hears the voices of the past, voices that were forgotten, voices that people thought were dismissed, because the enslaved were not considered important”, she said.

Historical figures, such as civil-rights activist William Monroe Trotter will be mentioned during the exhibition. “He was an American hero, but forgotten. He was a co-writer of W.E.B Dubois and a challenger of Booker T. Washington. He was the founder of the Niagra Movement and the newspaper, Boston Guardian. A forgotten American hero, but he was a member of Monticello’s family descendants. He’s probably the most prominent of Monticello’s descendants”, said White.

White remembers Trotter’s unstoppable activism for African-American freedom and equality. “He was most notable for challenging President Woodrow Wilson’s position on Jim Crow and the African-American mistreatment. William Monroe Trotter went to the White House twice challenging Woodrow Wilson. In addition to that, he led a campaign against a racist film called, “Birth of A Nation”, so that it would be shot in Boston where he lived”, she said.

Another forgotten historical figure and ancestor of White is Peter Hemings. “Peter was my great, great, great-grandfather. He was a cook for twelve years at Monticello, then he became a brewer at Monticello, described as very intelligent by Thomas Jefferson”.

According to White, Peter was a trained cook and brewer by a special individual. “He was a brewer at Monticello trained by his brother, James Hemings an exchanged deal made by Thomas Jefferson. One brother was to be free after he taught the other brother cooking. The other brother, my ancestor remained a slave for another twenty-five years. Imagine what it must have been like for the two of them. That’s the story of working together, so that one member of the family could be free”, said White.

The exhibition will feature a special section regarding a Monticello enslaved woman known as White’s three-times great-aunt, Sally Hemings. “Sally Hemings came on the scene publicly in 1803. This article written by James Callendar. It was a news piece that was printed in the Richmond newspaper. It had accused Jefferson of keeping a slave woman as a mistress and her name was Sally”, said White.

As the hidden affair became a public scandal, so was Sally. The Jefferson family denied the allegations, including the six children Sally bored him. “Jefferson never actually addressed it. Never came out and said no it’s not true. His daughter and grandchildren denied it. They said yes there was a slave woman named Sally and yes she had children from one of two Jefferson’s nephews, not Thomas Jefferson”, said White.

Sally’s remained a scandalous name, until her light was shed. “Throughout decades, Sally Hemings was seen as a scandal in the life of a great man. Many people did not accept that she was his concubine. However, there was evidence that she was”, said White.

With proper research, evidence, and previous testimonials from their son, Madison Hemings, Jefferson’s affair with Hemings was indeed true. “There’s circumstanstial evidence that documents that Thomas Jefferson kept his notes, farm book. Every time Sally gave birth it was nine months after he’d been to Monticello from Washington where he was President. It’s an indication, especially the testimonials that everything was true. In addition to that, ten people that Thomas Jefferson freed that were allowed to walk away from that plantation, four were children of Sally Hemings”, said White.

Despite a hidden affair, Sally Hemings is known as an influential historical figure throughout the Monticello exhibition. “At Monticello, what we wanted to make her totally dimensional. We didn’t want to paint this picture of a scandal and rob her from her humanity. We sought to give Sally back her humanity and help our audience realize that she was a daughter, a mother, a world traveler, and ultimately a liberator, because she liberated her children. It was her ability to negotiate with one of the country’s most influential men the freedom of her children. Out of 600 people he enslaved, ten were free. Four of them were her children”, said White.

White’s final words described her three-times great aunt’s intelligence and strengths during her enslavement. “She was different than most enslaved woman. Her children were free. She negotiated their freedom. That means that her children would’ve been freed in 1826 almost forty years before the Emancipation Proclamation”, said White.
With digital contributions, 300 works of art, and additional features, the exhibtion will feature a film of descendants of the Monticello slaves sharing ancestrial stories. “Our Getting Word is history project, which is a collection of world histories about the descendants of the enslaved”, said White.

All visitors are welcomed to view the following film along with additional features about the hidden American story. “This is an American story. This is a story for everyone to learn about. Yes, the focus is on the slaved people, black people, or American people, but it’s a subject that I hope in my heart everyone cares about. We are all one people. We are all Americans”, said White.

As an unapologetically African-American woman, White gives credit to her ancestors and the Monticello slaves as the backbone of America. “They were not considered part of the American family. In fact, our African-American ancestors were essential to the American families. Without the enslaved people, America would not have become the industrial power house that it did, because it was built on the backs of the enslaved people of free labor. If people get anything, I would like it to be that message that black people built the country from the very beginning. We are part and I say we, because I am a proud African-American, we are part of the American fabric”, she said.

All ages are welcomed and tickets can be purchased, click here.

The exhibition will take place September 22-December 31, 2018 at the African American Museum of Dallas at Fair Park 3536 Grand Avenue Dallas, TX 75210.

For additional information regarding the exhibition’s time and holiday schedule, click here.

For more research and information about the Monticello slaves, click here.

To visit the Monticello plantation in Charlottesville, Virginia click here.