Image Courtesy of Paramount Pictures
Despite the prospect of WWII soldiers going up against twisted Nazi experiments being an exciting premise, audiences may want to temper their expectations.
Image Courtesy of Paramount Pictures
Produced by J.J. Abrams and directed by newcomer Julius Avery, the film tells the story of a small group of soldiers who barely make it into France as D-Day approaches. Their mission is to destroy a communications tower near a Nazi-occupied village to clear the way for their oncoming troops. However, things become complicated as they uncover the secret of what the Nazis are doing to the people of the village: creating an undead, superhuman army for Hitler’s Thousand-Year Reich.
The premise alone was enticing enough to inspire attendance, but, unfortunately, the film’s balance between war drama and horror schlock tends to lean toward the former.
There are some positives to the film worth addressing. The action scenes, especially the way in which the film opens with the soldiers in a plane being fired upon, and visuals are impressive and atmospheric. When the film does get down to the nitty gritty horror aspect, it does unleash some impressively startling visuals. The acting was also very commendable, with Jovan Adepo, as the wide-eyed, pacifistic lead character, Wyatt Russell, as the battle-hardened soldier in command, and Pilou Asbæk, as the film’s deliciously sadistic antagonist, the standouts. Even when the film dedicates its time towards being a war film it manages to engage with legitimate emotion and tension.
Despite this, that’s not exactly what the film advertised.
Image Courtesy of Paramount Pictures
While the film does well enough with both sides of the equation, one is given more time than the other. For instance, the film lingers often on Adepo’s character objecting to leaving people behind to die or torturing the enemy for information. It’s executed fairly, but the problem lies with the fact that it’s difficult to take the moral quandaries and the horror of a war as seriously as the filmmakers want when the villains are cartoonish in their deviousness and the characters are going up against zombies with super strength. When you have a villain with half of his face blown off, sneering like a supervillain at a certain point, it puts the first two acts of the characters going through what feels like a different film into perspective. The film even opens with a title sequence that harkens back to the days of pulp adventure stories, something the film does evoke later when it does get to the zombie experiments attacking people, so one would think the filmmakers would’ve opted to go for something less serious and just go for over-the-top spectacle. It’s especially disappointing considering the unique opportunity that Bad Robot had with such a unique premise that normally wouldn’t be given such high production value.
Image Courtesy of Paramount Pictures
Overall, while the film has its moments of gory fun, impressive visuals, and a somewhat engaging cast to keep the film grounded and watchable, it feels as though it shies away from what audiences may have been hoping for. While not terrible by any stretch, I dare to say that it is a mostly good film, it’s one that should be approached with certain expectations in mind before seeing. If you enjoy war films, you’ll be pleasantly surprised. If you enjoy horror, it has it’s spots, but you may not be satisfied.
6.5/10
Overlord is currently playing in cinemas.